- Kay Diaz
- Oct 19, 2022
- 6 min read
After a long hiatus, I recently decided to start playing tennis again. It is the game I love most, and I had missed it very much. But before I dared to set foot on a court and embarrass myself, I needed to practice. Perhaps if I could dazzle potential hitting partners with expert strokes, they’d overlook my inexpert Spanish. Any wall would do.
So I went exploring. I discovered that not far from our apartment in Madrid is a large public sports complex chock-a-block with tennis courts, padel courts, and Basque pelota courts. It even has a row of five weather-resistant ping-pong tables. I looked for — and was thrilled to find — that the complex also has walls to practice hitting against.
It is often said that tennis is a lonely game. In singles, at least, you are on your own, battling it out gladiator-style against an opponent, no coaching allowed. As a child and young adult, long before the expressions “I got this” or “hold my beer” took hold in the American vernacular, tennis gave me a sense of self-reliance and confidence. And when that confidence was unwarranted, losing carried its own important lessons.
Hitting against a wall, however, is truly the more solitary pursuit. And it is one I have relished in Madrid. It gives me time to think and requires no Spanish language skills. I have named the walls at the local facility the “Bad Wall” and the “Good Wall.” The Bad Wall, shorter, wider, and sandwiched between two buildings on a well-trodden path, is actually not that bad. Still, misfired balls roll over its top edge, skid up a portion of chain link fence, and either get stuck there or pop up and land somewhere unknown. The Good Wall is near the ping-pong tables. It is about fifteen feet high and is winged by two shorter walls. Errant shots are not a problem on the Good Wall, but missed swings are; the balls go rolling right into the feet of the ping-pong players, requiring a quick dash, “¡Ay disculpe!” and retrieval. Both walls are painted a hue somewhere around Crayola green, and I marvel that, in this land with a color palette so different from that in the U.S., tennis backboards are painted the same color in both countries.
On the Good Wall, I practice all of my strokes, including serves. I whack away, taking immense pleasure in the echo produced by the tennis ball within the three walls. I am pleased that, after years away from the game, my fifty-eight-year-old body can hit the ball with such pace.
I glance at my shadow splayed fully before me in the morning sun. It looks slender and young. I skip to pick up balls that fly past me before they reach the ping-pong players.
I feel graceful, like Evonne Goolagong. I feel strong, like Billie Jean King.
All of the words that my tennis instructors used to say to me come flooding back:
“Head down.”
“Watch the ball into the strings.”
“Don’t drop your wrist.”
“Back before the bounce.”
“Hit the ball on the rise.”
“Don’t admire your shot.”
The admonition not to admire one’s shot is one I associate most with my father, my first tennis teacher. Whether I was often caught flat-footed, or whether he just liked to use that line because it offered his child a nugget of wisdom for life beyond the court, I don’t know. But on my first day out, battling a Madrid backboard that returned my every shot, I was transported to a very different backboard in a very different place and time, when I was so young that my shadow erased nothing.
I was nine years old, and it was the worst time of My Very Privileged Childhood. My family had moved that September from a suburban idyll in which all I needed to do to find playmates was to go out our front door and scan the streets. Summer evenings in my old neighborhood were spent playing spud, kick-the-can, and whiffle ball until humid darkness descended. It was where I had my first real confrontation with my own mortality, tumbling over the handlebars when my bike pitched against a rock as I barreled down an empty hill near the practice grounds of the volunteer fire department.
Though only four miles northwest, our new home, a very large 1950s colonial, was worlds away. It sat on a short spur of a street off a very long road fit for the driveway of a robber baron whose land it surely once was. Our tiny street that dead-ended into woods was much safer to play in, but there was no one to play with. It was ill-timed and too much house. My mother was overwhelmed — and angry. My parents’ ferocious arguments about my father’s unilateral decision to buy that house were poorly concealed.
But my parents did agree that some sports therapy was in order — at least for me. So, they hired a man to help erect a homemade wooden tennis backboard on one end of the rectangular driveway, bounding still more woods and a gully. We painted it chocolate brown, not green, and we added a white line to mark the height of a net. I can still remember the particular swirls on the gray cement circles where each supporting beam of the backboard was held in place. As I waited for the cement to set, I had the sense that — while it was no substitute for a neighborhood — the backboard was going to play an important role in my life.
That brown backboard of my childhood was unforgiving because it wasn’t very high. And there were those woods. And the poison ivy. At a time when I was getting too old for my imaginary friend and my big brothers were getting too old for me, the backboard was my best partner. The backboard and I played for hours on end that fall, into the winter, and for the rest of my childhood.
But it was also during one of those lonely hitting sessions that I came to realize that this exceptionally affluent setting would not be part of my adult life. There was of course the wealth aspect, which I would never be able to replicate (and which I was not destined to inherit). But it was also about longing for a different kind of life. My remarkable parents had overcome their hardscrabble childhoods to amass the status symbols of financial success, and I loved, admired, and liked my parents as people. But, despite the pressure to follow in their footsteps, I wanted something else for myself.
That’s not to say that there haven’t been times during my adulthood when I’ve wondered whether I should have prioritized achieving my parents’ level of financial security. But living in Madrid has done wonders to erase the preoccupations and neuroses of my former New Yorker self. I now happily go off to the public wall in my Madrid neighborhood to hit tennis balls whenever I can. As we advance further into autumn, the shadows are getting longer on the cement. My shadow is taller and skinnier than it was in the summer, but it is even more fleeting — crowded out and then bumped off the court before noon by the shadows of an adjacent apartment building and nearby trees.
On a recent morning, I headed to the Good Wall, where I discovered that it was already in use by another player. I smiled to myself, recalling that this was never an issue at the lonely brown wall of my childhood, and I was happy to now be surrounded by community. I headed to the Bad Wall. There, a courtly, gray-haired gentleman was steadily hitting. He slid to his right, graciously allowing me to share the space. I introduced myself, and he said his name was Fernando. Fernando kept me honest. No more walking over to my bag under the guise of needing a sip of water but really to check my phone. No more lazy strokes. No more taking the ball on the second bounce. The thuds of Fernando’s and my tennis balls fell into a steady call-and-response that was pleasing to the ear.
Suddenly, I heard a hum of voices with unmistakable South-of-the-Mason-Dixon-Line American accents. I looked over my left shoulder as a steady stream of people walked by, single-file, in this most untouristy of places. My eyes locked with those of a blonde fifty-something woman.
“Hi y’all! — I mean, ¡Hola! — Excuse us,” she chirped.
“No pasa nada,” I replied with a smile from behind my sunglasses. I was a little giddy at the thought that perhaps, just maybe, I had been mistaken for a Spaniard.
Moving with a little extra bounce in my step, I returned my attention to the wall. Fernando was still hitting steadily. I got back in the groove.
Moments later, in my peripheral vision, I saw a young man approaching me. He was carrying a padel racquet and asked me in Spanish where the courts were. At least that is what I thought he asked.
“Por ahí,” I answered, in the best accent I could conjure while pointing energetically “over there.”
“Okay, thank you,” he responded in barely-accented English before pivoting to his left and walking away.
I glanced at Fernando, who already knew that I am definitely not Spanish. Mercifully, he acted as if he had heard nothing.
I briefly wondered how to say in Spanish “don’t admire your shot.” Head down, I went back to the wall.
©2022 Kay Diaz